Jungian And Archetypal

The hypothesis of Divine Tempest is that the hurricane is a universal symbol reflecting an archetypal image of the self in its primordial form. The author explores the views of both aboriginal and modern cultures to paint a vivid picture of how human kind has related to this cataclysm of nature.

Controversial claims that C.G. Jung, founder of analytical psychology, was a charlatan and a self-appointed demi-god have recently brought his legacy under renewed scrutiny. The basis of the attack on Jung is a previously unknown text, said to be Jung's inaugural address at the founding of his 'cult', otherwise known as the Psychological Club, in Zurich in 1916. It is claimed that this cult is alive and well in Jungian psychology as it is practised today, in a movement which continues to masquerade as a genuine professional discipline, whilst selling false dreams of spiritual redemption.
In Cult Fictions, leading Jung scholar Sonu Shamdasani looks into the evidence for such claims and draws on previously unpublished documents to show that they are fallacious. This accurate and revealing account of the history of the Jungian movement, from the founding of the Psychological Club to the reformulation of Jung's approach by his followers, establishes a fresh agenda for the historical evaluation of analytical psychology today.

As an associate of C. G. Jung for many years, Jolande Jacobi is in a unique position to provide an interpretation of his work. In this volume, Dr. Jacobi presents a study of three central, interrelated concepts in analytical psychology: the individual complex, the universal archetype, and the dynamic symbol.

While visiting the United States, C. G. Jung visited the Taos Pueblo in New Mexico, where he spent several hours with Ochwiay Biano, Mountain Lake, an elder at the Pueblo. This encounter impacted Jung psychologically, emotionally, and intellectually, and had a sustained influence on his theories and understanding of the psyche. Dakota Sioux intellectual and political leader, Vine Deloria Jr., began a close study of the writings of C. G. Jung over two decades ago, but had long been struck by certain affinities and disjunctures between Jungian and Sioux Indian thought. He also noticed that many Jungians were often drawn to Native American traditions. This book, the result of Deloria's investigation of these affinities, is written as a measured comparison between the psychology of C. G. Jung and the philosophical and cultural traditions of the Sioux people. Deloria constructs a fascinating dialogue between the two systems that touches on cosmology, the family, relations with animals, visions, voices, and individuation.

Book by Van Eenwyk, John R.

"Whenever illness is associated with loss of soul," writes Shaun McNiff, "the arts emerge spontaneously as remedies, soul medicine." The medicine of the artist, like that of the shaman, arises from his or her relationship to "familiars"--the themes, methods, and materials that interact with the artist through the creative process. Art As Medicine demonstrates how the imagination heals and renews itself through this natural process. The author describes his pioneering methods of art therapy--including interpretation through performance and storytelling, creative collaboration, and dialoguing with images--and the ways in which they can revitalize both psychotherapy and art itself.

A vitally important introduction to the theories of one of the most original thinkers in psychology today, A Blue Fire gathers selected passages from many of Hillman's seminal essays on archetypal psychology.

"Edinger has greatly enriched my understanding of psychology through the avenue of alchemy. No other contribution has been as helpful as this for revealing, in a word, the anatomy of the psyche and how it applies to where one is in his or her process. This is a significant amplification and extension of Jung's work. Two hundred years from now, it will still be a useful handbook and an inspiring aid to those who care about individuation." -- Psychological Perspectives

This book collects all of James Hillman's papers on the alchemical imagination from 1980 to the present: "Therapeutic Value of alchemical Language"; "Silver and the White Earth I & II"; "Alchemical Blue and the Unio Mentalis"; "Salt: A Chapter in Alchemical Psychology"; "rudiments: Fire. Ovens, Vessels, Fuel, Glass"; "The Imagination of air and the collapse of alchemy"; "The Yellowing of the Work"; "White Supremacy"; "Concerning the Stone - Alchemical Images of the Goal"; "The Azure Vault: Caelum as Experience."

In Jungian Literary Criticism: the essential guide, Susan Rowland demonstrates how ideas such as archetypes, the anima and animus, the unconscious and synchronicity can be applied to the analysis of literature. Jung's emphasis on creativity was central to his own work, and here Rowland illustrates how his concepts can be applied to novels, poetry, myth and epic, allowing a reader to see their personal, psychological and historical contribution.

This multidisciplinary and transdisciplinary approach challenges the notion that Jungian ideas cannot be applied to literary studies, exploring Jungian themes in canonical texts by authors including Shakespeare, Jane Austen and W. B. Yeats as well as works by twenty-first century writers, such as in digital literary art. Rowland argues that Jung's works encapsulate realities beyond narrow definitions of what a single academic discipline ought to do, and through using case studies alongside Jung's work she demonstrates how both disciplines find a home in one another. Interweaving Jungian analysis with literature, Jungian Literary Criticism explores concepts from the shadow to contemporary issues of ecocriticism and climate change in relation to literary works, and emphasises the importance of a reciprocal relationship. Each chapter concludes with key definitions, themes and further reading, and the book encourages the reader to examine how worldviews change when disciplines combine.

The accessible approach of Jungian Literary Criticism: the essential guide will appeal to academics and students of literary studies, Jungian and post-Jungian studies, literary theory, environmental humanities and ecocentrism. It will also be of interest to Jungian analysts and therapists in training and in practice.

Jung on Astrology brings together C. G. Jung's thoughts on astrology in a single volume for the first time, significantly adding to our understanding of Jung's work.

Jung's Collected Works, seminars, and letters contain numerous discussions of this ancient divinatory system, and Jung himself used astrological horoscopes as a diagnostic tool in his analytic practice. Understood in terms of his own psychology as a symbolic representation of the archetypes of the collective unconscious, Jung found in astrology a wealth of spiritual and psychological meaning and suggested it represents the "sum of all the psychological knowledge of antiquity."

The selections and editorial introductions by Safron Rossi and Keiron Le Grice address topics that were of critical importance to Jung--such as the archetypal symbolism in astrology, the precession of the equinoxes and astrological ages, astrology as a form of synchronicity and acausal correspondence, the qualitative nature of time, and the experience of astrological fate--allowing readers to assess astrology's place within the larger corpus of Jung's work and its value as a source of symbolic meaning for our time.

The book will be of great interest to analytical psychologists, Jungian psychotherapists and academics and students of depth psychology, Jungian and post-Jungian studies, as well as to astrologers and therapists of other orientations, especially transpersonal.