Jungian And Archetypal

Originally published by Shambhala in 1993, Gathering the Light is a significant contribution to Jungian psychology and to research concerning the relationship between psychological and spiritual development. Gathering the Light remains a groundbreaking work that integrates Jungian psychology, alchemy, and the practice of meditation. It is one of very few, if not the only Jungian book that demonstrates that the alchemical opus is not only an analogy of the individuation process, but also a depiction of various experiential stages encountered in the course of meditation. Gathering the Light compares Western and Eastern images of the goal of alchemy and of meditation practice; it offers a psychological interpretation of the Zen Ox Herding pictures; it argues that in essence both psychological and spiritual development consists of the withdrawal of projections; and the appendix offers a critique of Wilber's mistaken view of Jung's conception of archetypes and provides a critical review of Thomas Cleary's translation of The Secret of the Golden Flower. About the Author V. Walter Odajnyk, PhD, is a graduate of the C. G. Jung Institute, Zurich, a member of the C.G. Jung Study Center of Southern California and a core faculty member of Pacifica Graduate Institute. He is the author of Marxism and Existentialism (Doubleday Anchor Books), Jung and Politics: The Political and Social Ideas of C. G. Jung (Harper & Row) and of a forthcoming Palgrave Macmillan book, Archetype and Character: Power, Eros, Spirit and Matter Personality Types.

When documentary filmmaker Nancy Ryley became ill, few people had ever heard of "environmental illness". To explore the connections between her story and the soul-sickness of the planet, Nancy conducted interviews with four cultural giants: journalist and explorer Laurens van der Post; psychologist Marion Woodman; Thomas Berry, a theologian and environmentalist; and cultural historian Ross Woodman.

The hypothesis of Divine Tempest is that the hurricane is a universal symbol reflecting an archetypal image of the self in its primordial form. The author explores the views of both aboriginal and modern cultures to paint a vivid picture of how human kind has related to this cataclysm of nature.

This collection of essays, ensuing from the Jungian Odyssey retreat in Sils Maria, Switzerland in 2009, views patterns of destruction and creation through the lens of C. G. Jung's analytical psychology, amplified through philosophy, religion, myth, art, literature, and neuroscience. Special attention is given to implications for clinical practice. The authors are training analysts and guest scholars of the International School of Analytical Psychology in Zurich, Switzerland.

Book by Van Eenwyk, John R.

Summarizes the views of Jung and Freud on transference and countertransference, as well as those of Martin Buber on I-it and I-thou relationships. Special attention to the significance of erotic love in therapy and analysis.

In Jungian Literary Criticism: the essential guide, Susan Rowland demonstrates how ideas such as archetypes, the anima and animus, the unconscious and synchronicity can be applied to the analysis of literature. Jung's emphasis on creativity was central to his own work, and here Rowland illustrates how his concepts can be applied to novels, poetry, myth and epic, allowing a reader to see their personal, psychological and historical contribution.

This multidisciplinary and transdisciplinary approach challenges the notion that Jungian ideas cannot be applied to literary studies, exploring Jungian themes in canonical texts by authors including Shakespeare, Jane Austen and W. B. Yeats as well as works by twenty-first century writers, such as in digital literary art. Rowland argues that Jung's works encapsulate realities beyond narrow definitions of what a single academic discipline ought to do, and through using case studies alongside Jung's work she demonstrates how both disciplines find a home in one another. Interweaving Jungian analysis with literature, Jungian Literary Criticism explores concepts from the shadow to contemporary issues of ecocriticism and climate change in relation to literary works, and emphasises the importance of a reciprocal relationship. Each chapter concludes with key definitions, themes and further reading, and the book encourages the reader to examine how worldviews change when disciplines combine.

The accessible approach of Jungian Literary Criticism: the essential guide will appeal to academics and students of literary studies, Jungian and post-Jungian studies, literary theory, environmental humanities and ecocentrism. It will also be of interest to Jungian analysts and therapists in training and in practice.

The psychosomatic pain of heartbreak and mourning shows neurobiological evidence of stress similar to being submitted to torture. With time, the intensity of the pain may lessen, yet it is false to think that time heals all wounds! Many live the rest of their life with a captive heart, alone in the emotional desert of psychic numbness. The first challenge is to become aware of the instinctual fear that makes us say "if you leave me, I'll-die". This fear poses a logical problem because to overcome it, you must learn to survive without the partner, which is precisely what you fear! You are like a patient who has been shot by an arrow? Cupid's arrow ?but is afraid to let the doctor pull it out. Living with an arrow sticking out from your chest makes life impossible. Recovery is not, as so many popular self-help books suggest today, an ego decision to move on. Recovery is the opposite of a willful decision, the opposite of an emotional shutting down which only mimics detachment. At the beginning of heartbreak, the brain reacts like that of a drug addict suddenly deprived of his or her drug. The behavior of the love-crazy is similar to that of the addict desperately searching for a fix. Hooked on hope, your brain is in a panic mode. Love is at the core of depressive, suicidal and murderous states. For the brain, lack of love, lack of food, lack of sleep, or a pit bull jumping at you are all kinds of threats. How you respond impacts not only your health but your destiny as well. In other words, either emotional suffering turns on the evolutionary switch, or your emotional shutting will destroy your capacity to love. This book summarizes what you need to learn, and to do to turn on that switch. I wrote from three different points of view. First, as a teacher and researcher in psychology, I spent most of my adult life studying the symptoms of lost love, tortuous love, smothering love, condemning love, controlling love, insufficient love, betrayed love, compulsive love, codependent love. This text is my report from the field: which theories are validated and which are not. Second, I am writing as a therapist who, for many years, listened to the stories of courageous individuals free falling from the summit of love, crashing down into the relational desert of mourning, grief, and loss. While witnessing their despair, I admired their courage. Love, its presence and absence, quality and quantity, form and essence, nurturing and toxic effects, its bitterness, and sweetness, is at the core of every therapy because love is fundamentally liberating. Love is also easily corrupted. Love develops the brain, but heartbreak transforms an otherwise functional adult into a cognitive dimwit. Love attaches itself to our neurotic traits, which then develop like barnacles on the hull of a boat. And last, I am writing as an individual who has suffered her fair share of heartbreaks. As a young woman, I plunged into the cavernous mouth of that mythical beast we call Love, like a frog jumping into the path of a lawnmower. This humbling experience taught me the contrast between the sweetness of love and the tragedy of remaining innocent about its power.

How does the spirit come into clinical work? Through the analyst? In the analysand's work in the analysis? What happens to human destructiveness if we embrace a vision of non-violence? Do dreams open us to spiritual life? What is the difference between repetition compulsion and ritual? How does religion feed terrorism? What happens if analysts must wrestle with hate in themselves? Do psychotherapy and spirituality compete, or contradict, or converse with each other? What does religion uniquely offer, beyond what psychoanalysis can do, to our surviving and thriving? This book abounds with such important questions and discussions of their answers.

Does art connect the individual psyche to history and culture?

Psyche and the Arts challenges existing ideas about the relationship between Jung and art, and offers exciting new dimensions to key issues such as the role of image in popular culture, and the division of psyche and matter in art form.

Divided into three sections - Getting into Art, Challenging the Critical Space and Interpreting Art in the World - the text shows how Jungian ideas can work with the arts to illuminate both psychological theory and aesthetic response. Psyche and the Arts offers new critical visions of literature, film, music, architecture and painting, as something alive in the experience of creators and audiences challenging previous Jungian criticism. This approach demonstrates Jung's own belief that art is a healing response to collective cultural norms.

This diverse yet focused collection from international contributors invites the reader to seek personal and cultural value in the arts, and will be essential reading for Jungian analysts, trainees and those more generally interested in the arts.

In the boldest expose on the nature of power since Machiavelli, celebrated Jungian therapist James Hillman shows how the artful leader uses each of two dozen kinds of power with finesse and subtlety. Power, we often forget, has many faces, many different expressions. "Empowerment, " writes best-selling Jungian analyst James Hillman, "comes from understanding the widest spectrum of possibilities for embracing power." If food means only meat and potatoes, your body suffers from your ignorance. When your idea of food expands, so does your strength. So it is with power. "James Hillman, " says Robert Bly, "is the most lively and original psychologist we have had in America since William James." In "Kinds Of Power," Hillman addresses himself for the first time to a subject of great interest to business people. He gives much needed substance to the subject by showing us a broad experience of power, rooted in the body, the rnind, and the emotions, rather than the customary narrow interpretation that simply equates power with strength. Hillman's "anatomy" of power explores two dozen expressions of power every artful leader must understand and use, including: the language of power, control, influence, resistance, leadership, prestige, authority, exhibitionism, charisma, ambition, reputation, fearsomeness, tyranny, purism, subtle power, growth, and efficiency.